From B S Mardhekar's (बा. सी. मर्ढेकर) following poem:
भरून येइल ह्रुदय जेधवां
शरीर पिळुनी निघेल घाम;
अन् शब्दांच्या तोंडांमध्यें
बसेल तूझा गच्च लगाम;
काळयावरतीं जरा पांढ़रें
ह्या पाप्याच्या हातुन व्हावें
फक्त तेधवां : आणि एरव्हीं
हेंच पांढऱ्या वरतीं काळे!,
I am always fascinated by these words:
"अन् शब्दांच्या तोंडांमध्यें / बसेल तूझा गच्च लगाम;" (I never had any ambition of Mardhekar that is reflected in 'काळयावरतीं जरा पांढ़रें / ह्या पाप्याच्या हातुन व्हावें'. Also not sure what BSM achieved in that regard!)
For many years in my childhood at Miraj, I observed tongas (light horse-drawn carriage) and, more intently, horses that pulled them. The leash sat so tight...not to mention the whip that lashed...गच्च लगाम. (One of the most interesting activities then was watching nailing of horseshoes to the horses and bullocks.)
But then there is always a hope of freedom...Hope springs eternal.
Following is one of the greatest cartoons I have seen. I can see it everyday and still be amused by it.
Descend your eyes from the top to the bottom of the picture.
The cell resembles the space described in G A Kulakrni's (जी ए कुलकर्णी ) "Swami" (स्वामी) where the head of the sect is held forcibly and a kingdom rules in his name outside.
As G A describes the prison cell- read that at the end of this para- one thinks the Swami has no hope in hell of escaping or even committing suicide. Despite that the Swami fights back. Some opium has been hidden by the previous unfortunate inmate of the cell. Swami unearths it and dies eating it. He chooses to die as he lets another life, a weed, choke the only air-inlet pipe on its journey to the sunlight.
(open this picture in another window and then enlarge to read the text)
Shel Silverstein's Papillon is more ingenious. He has thought of a plan to escape. Alive.
Artist: Shel Silverstein, 1950s
Wiki informs: Silverstein was both fascinated and distressed by the amount of analysis and commentary that almost immediately began to swirl around the cartoon. "A lot of people said it was a very pessimistic cartoon, which I don't think it is at all," he said. "There's a lot of hope even in a hopeless situation..."
Indeed, Sir. Here's looking at 2011!