Not easy to judge. Listen to Stevie Smith first and then see what James Stevenson says.
Stevie Smith (1903-1971)
Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.
Poor chap, he always loved larking
And now he's dead
It must have been too cold for him his heart gave way,
They said.
Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.
Artist : James Stevenson published The New Yorker 19 Nov 1960
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
Monday, January 01, 2007
our own Waheeda Rehman or Ginger Rogers
Waheeda Rehman by some opinion in her prime ("Guide") was one of the most beautiful actresses of Hindi film industry.
Pakistani cricketer Imran Khan (one of the handsomest men himself) considers her the most beautiful woman world has known. For me, Ginger Rogers is equally vivacious.
Marathi author Va Pu Kale has written few good stories. In one of them, protagonist in due course discovers Waheeda Rehman in his wife.
Don't we all remember the day our wife looked like Waheeda or Ginger?!
Pakistani cricketer Imran Khan (one of the handsomest men himself) considers her the most beautiful woman world has known. For me, Ginger Rogers is equally vivacious.
Marathi author Va Pu Kale has written few good stories. In one of them, protagonist in due course discovers Waheeda Rehman in his wife.
Don't we all remember the day our wife looked like Waheeda or Ginger?!
Artist: Barney Tobey publsihed : The New Yorker 31 Dec 1960
Parental discretion!
My wife often asks me to be discreet when our son is around.
"Watch your tongue" is a constant refrain. I cannot lose my temper when he is awake. Why? Because "our son will follow you and use the same foul language which is not good for his future".
She thinks invoking our son's future is a clinching argument.
I sometimes think it is a clever ploy to shut me up for good...... what a drag.
Artist : Frank Modell Published: The New Yorker 19 March 1960
"Watch your tongue" is a constant refrain. I cannot lose my temper when he is awake. Why? Because "our son will follow you and use the same foul language which is not good for his future".
She thinks invoking our son's future is a clinching argument.
I sometimes think it is a clever ploy to shut me up for good...... what a drag.
Artist : Frank Modell Published: The New Yorker 19 March 1960
for Democracy's sake!
Artist : Joseph Mirachi Published The New Yorker June 25, 1960
In India democracy is alive and well most time kicking! Opposition opposes because they are in opposition. And even friendly fire from parties like communists is most times deadly.
If today non-congress parties were to be asked what they stand for, their honest answer would be whatever congress doesn't stand for. No more, no less.
But if we want to give it a positive spin to this behaviour, call it to "keep alive the multi-party democracy".