#CharlesAddams30thDeathAnniversary
Robert Mankoff answering the question "What influence has Charles Addams’s work had on cartooning and American humor?":
"I think his influence is, like the man, largish. He tapped into that vein of American gothic that has a touch of paranoia about it, seeing behind every comforting façade the uncomfortable truth about the duality of human nature. But where Gothic literature usually combined these themes with romance, Addams made the horror hilarious: disturbing, but at the same time friendly, identifiable, and acceptable. In cartooning, you can see the direct influence of his work in someone like Gahan Wilson, and in many other cartoonists. Horror films that combine humor with horror, such as “A Nightmare on Elm Street,” with its wise-cracking Freddy Krueger, are also in his debt. And, of course, Addams’s humor was “black” and “sick” before those terms applied.
But I think his influence extends beyond the horror genre, to humor not as a comforting “laughter is the best medicine” anodyne but as something deeply skeptical of the purported values of middle-class American life. By making us laugh at, and with, his fiendish protagonists, he makes us temporarily share their values, and doubt our own."
Charles McGrath:
“Punch failed, moreover, to produce anyone on the order of a
Saul Steinberg, a Peter Arno, a Charles Addams — an artist who raised
cartooning to something approximating fine art.”
Andrew Stark:
“....The mix, in Charles Addams's world, of virtue and "evil"—of love and sadism, of the grotesque and the homespun—makes his drawings, taken as a whole, much richer than cartoons aimed at simple gags and artistically more nuanced—if unsettlingly incomplete. Addams furnishes a perspective on our own world, too: a world in which the average human has learned to be physically nonviolent in light of our physical fragility and emotionally intact (more or less) in the face of the emotional abuse that life regularly hurls our way.
The New Yorker, August 15 1936
The New Yorker, February 9 1946
२०व्या शतकातील एका सर्वोत्कृष्ट व्यंगचित्रकाराबद्दल काय लिहायच?...... त्यांची अनेक कार्टून ह्या ब्लॉगवर आली आहेत.
Robert Mankoff answering the question "What influence has Charles Addams’s work had on cartooning and American humor?":
"I think his influence is, like the man, largish. He tapped into that vein of American gothic that has a touch of paranoia about it, seeing behind every comforting façade the uncomfortable truth about the duality of human nature. But where Gothic literature usually combined these themes with romance, Addams made the horror hilarious: disturbing, but at the same time friendly, identifiable, and acceptable. In cartooning, you can see the direct influence of his work in someone like Gahan Wilson, and in many other cartoonists. Horror films that combine humor with horror, such as “A Nightmare on Elm Street,” with its wise-cracking Freddy Krueger, are also in his debt. And, of course, Addams’s humor was “black” and “sick” before those terms applied.
But I think his influence extends beyond the horror genre, to humor not as a comforting “laughter is the best medicine” anodyne but as something deeply skeptical of the purported values of middle-class American life. By making us laugh at, and with, his fiendish protagonists, he makes us temporarily share their values, and doubt our own."
Charles McGrath:
Andrew Stark:
“....The mix, in Charles Addams's world, of virtue and "evil"—of love and sadism, of the grotesque and the homespun—makes his drawings, taken as a whole, much richer than cartoons aimed at simple gags and artistically more nuanced—if unsettlingly incomplete. Addams furnishes a perspective on our own world, too: a world in which the average human has learned to be physically nonviolent in light of our physical fragility and emotionally intact (more or less) in the face of the emotional abuse that life regularly hurls our way.
We are lucky in our own physical and emotional ecology. Ours
may not be the best of all worlds. But Addams's inability to realize the
alternative fully suggests that it may be the best of all possible worlds. One
of the signs of genius is that an artist sheds new light on the human
condition. Or, in Addams's case, casts new shadows....”
"Medusa for Haircut"
The New Yorker, August 15 1936
२०व्या शतकातील एका सर्वोत्कृष्ट व्यंगचित्रकाराबद्दल काय लिहायच?...... त्यांची अनेक कार्टून ह्या ब्लॉगवर आली आहेत.