Today September 26 2016 is the day of the first of the three general-election debates between
Hillary Clinton and Donald Trump
Chris Hedges:
“The liberal class lacks the fortitude and the ideas to
protect the decaying system. It speaks in a twilight rhetoric that no longer
corresponds to our reality. But the fiction of democracy remains useful, not
only for corporations, but also for the bankrupt liberal class. If the fiction
is exposed as a lie, liberals will be forced to consider actual resistance,
which will be neither pleasant nor easy. As long as a democratic façade exists,
liberals can engage in a useless moral posturing that requires no sacrifice or
commitment.”
(‘Death of the Liberal Class’, 2010)
Artist: Edward Steed, The New Yorker, September 2016
This picture reminded me of the following outstanding piece of art depicting many intriguing details.I have spent many hours 'reading' and admiring it.
'Colonel Mordaunt’s Cock Match', 1784-86
Artist: Johann Zoffany (1733-1810)
Philip Hensher writes about the painting:
“...There is a sense of letting the hair down about some of
Zoffany’s Indian paintings. The masterpiece Colonel Mordaunt’s Cock Match depicts
the meeting between cultures at its most rumbustious, complete with extremely
vulgar allusions to the principal figures’ sexual prowess....”
(‘The Telegraph, UK’,
March 6 2012)
William Dalrymple writes about the artist:
"The Frankfurt-born Zoffany (1734-1810) lived in Lucknow for
two and a half years, staying much of the time with Claude Martin. On his way
back to England (where he had settled in the 1750s) he was shipwrecked off the
Andaman Islands. Lots having been drawn among the starving survivors, a young
sailor was duly eaten. Zoffany may thus be said with some confidence to have
been the first and last Royal Academician to become a cannibal."
('White Mughals: Love and Betrayal in Eighteenth-Century India', 2002)