Today March 26 2016 is 105th Birth Anniversary of Tennessee Williams
Poker Night ('A Streetcar Named Desire'), 1948 by Thomas Hart Benton (1889-1975), the Whitney Museum NYC
John Lahr, ‘Tennessee Williams: Mad Pilgrimage of the Flesh’,
2014:
“…Sexuality brought Williams down to earth and into life.
“What do you expect to get from this sort of life?” Stanley asks Blanche about
her promiscuity, in the first version of Streetcar. “Just life,” she says.
Sexuality also called all absolutes into question. “The truth of the matter is
that all human ideals have been hats too big for the human head,” Williams
wrote in his diary in 1942. “Chivalry—democracy—christianity—The Hellenic ideal
of Intellectual purity (the one I find most appealing)—all too big a hat!”…”
I feel Marathi stage owes a debt to Mr. Williams.
Without his plays 'A Streetcar Named Desire', 1947 and 'Cat on a Hot Tin Roof ', 1955, there would perhaps be no Marathi plays like Vijay Tendulkar's (विजय तेंडुलकर) 'Sakharam Binder', 1972 & Jaywant Dalvi's (जयवंत दळवी ) 'Barrister' (बॅरिस्टर ), 1977 , 'Purush' (पुरुष), 1982.
I feel Marathi stage owes a debt to Mr. Williams.
Without his plays 'A Streetcar Named Desire', 1947 and 'Cat on a Hot Tin Roof ', 1955, there would perhaps be no Marathi plays like Vijay Tendulkar's (विजय तेंडुलकर) 'Sakharam Binder', 1972 & Jaywant Dalvi's (जयवंत दळवी ) 'Barrister' (बॅरिस्टर ), 1977 , 'Purush' (पुरुष), 1982.
Poker Night ('A Streetcar Named Desire'), 1948 by Thomas Hart Benton (1889-1975), the Whitney Museum NYC
"Poker Night captures the sexual tension and violent
undertones in the relationships between Blanche DuBois, a down-and-out Southern
belle (holding up a mirror), her sister, Stella (leaning over the armchair),
and Stella’s husband, the hot-tempered, childlike Stanley Kowalski (wearing a
white undershirt). It documents one of the play’s most dramatic and memorable
moments, when Blanche taunts a drunk and angry Stanley with her petty
provocations and refined airs."
This picture makes me wonder why, in India, we don't have paintings capturing a slice of a great play or a movie from 20th century. We have such paintings for Indian mythology drawn by the likes of Raja Ravi Varma or Bhawanrao Shriniwasrao Pant Pratinidhi or T.V. Subramaniam (Maniam).
For instance staging of 'Samyukta Manapman' (संयुक्त मानापमान) on July 8 1921, featuring two greats Keshavrao Bhosale (केशवराव भोसले) and Bal Gandharva (बाल गंधर्व), was one of the greatest events on the cultural map of 20th century Maharashtra. It can only be compared to the rock star concerts in today's era. It's said that if the play were to be performed in open air, the ticket collection could been as much as Rs. 1 lac.
(Gold price was $20.67 per ounce at the end of 1921, in March 2016 it's $1218.7...Therefore Rs. 1 lac then would be about Rs. 60 lac today...for just one performance of a Marathi play!)
And yet there is no great painting based on that performance!
This picture makes me wonder why, in India, we don't have paintings capturing a slice of a great play or a movie from 20th century. We have such paintings for Indian mythology drawn by the likes of Raja Ravi Varma or Bhawanrao Shriniwasrao Pant Pratinidhi or T.V. Subramaniam (Maniam).
For instance staging of 'Samyukta Manapman' (संयुक्त मानापमान) on July 8 1921, featuring two greats Keshavrao Bhosale (केशवराव भोसले) and Bal Gandharva (बाल गंधर्व), was one of the greatest events on the cultural map of 20th century Maharashtra. It can only be compared to the rock star concerts in today's era. It's said that if the play were to be performed in open air, the ticket collection could been as much as Rs. 1 lac.
(Gold price was $20.67 per ounce at the end of 1921, in March 2016 it's $1218.7...Therefore Rs. 1 lac then would be about Rs. 60 lac today...for just one performance of a Marathi play!)
And yet there is no great painting based on that performance!